Job.34

A haunting and contemporary a cappella arrangement of a wonderful old English carol. The subtle dissonance and tonal shifts make this a memorable and meaningful setting. Great for use within a liturgical

This setting of the Luis Bojo text and tune (SANTO DOMINGO) is infectious fun from beginning to end. Percussion is optional, but simple and very effective. There is a section where the women and men each

The harmonic language of this setting of Amazing Grace portrays a feeling of mystery and awe. Completely original music is matched with this most familiar text to create an experience that feels

This arrangement of the familiar carol begins very much like a traditional four-part setting but progresses in the expansion of the choral parts as the piece develops. The voice leading is superb and

A beautiful and stirring text by Jeannette M. Lindholm that presents a poignant scene of what the day of Annunciation may have been like for Mary. The piece is in three movements with the middle movement

A tender setting of the CRADLE SONG tune, this a cappella setting features three verses sung in four parts throughout. Sopranos have the melody, accompanied by the choir on "oo" in verse one; tenors take

This expansive and reflective setting of the Beatitudes is influenced by Eastern Orthodox choral traditions. The use of a sonorous tone brings out the voices as they move through the homophonic texture. The

Inspired by Psalm 133, composer Michael John Trotta has written a lovely a cappella piece that celebrates the unity of brotherhood among all people. This calm, sonorous work is the perfect choice for a

Michael Larkin has created a lovely setting of Revelation 14:13 that is expressive and approachable, for All Saints as well as for memorial or funeral services. It may be performed a cappella or with piano

Constructed almost as a choral recitative and aria, the first section But He Was Pierced is unaccompanied. All We Like Sheep follows, with its jaunty changing meters and a keyboard